The self-styled artistic product of a certain Andrijku Warhola's metamorphosis into Andy Warhol is only an invisible central theme connecting these two worlds, while the main emphasis of the film rests on his weirdly droll relatives and the inhabitants of the small village of Miková.

After the death of Andy Warhol the tiny village for a short time enjoyed the limelight of international attention, and almost everybody here had the pleasure of his or her ‚fifteen minutes of fame', when TV-crews and journalists from various countries were all over the place. A strange Warhol-fever took hold of most anybody, as consciousness of the celebrated son spread. Everyone reached out for a share of the fame, and all of a sudden relatives of Warhol made up the entire village population.
In a rather strange fashion his art became integrated into quotidian life, as if this kind of cultural annexation was the most ordinary thing on earth. The glaring wave of Pop Art washed over the drab diaspora of the Slovakian Carpathians. Handcrafted items of bizarre appearance integrated the Warholian touch or his image, be it on clay tiles picturing soup cans or pillowcases embroidered with his motifs. With the movingly staged act of business in devotional objects Miková has recaptured its Andrijku by storm.